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First, you will know what a stage light is and how to do it work. This will help you understand full stage lighting and where to use the different types led stage lights for your stage, concert, nightclub, theater and studio.
Second, you will know how to configure your stage lights and choose the right suitable stage lighting fixtures for your stage or theatre. This will help you understand what kind of stage lights are suitable for your stage and what other stage lighting fixtures you need. We will also give you some suggestions when you are finding, choosing, and buying stage lighting products. The most important is where to find some suitable stage lighting companies.
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Recommended article:Third, you can know how to buy stage lights from China to your country. This will help you avoid wrong suppliers and bad products when buy stage lighting fixtures. Also including the shipping and customs tariff, the most important you find the right professional stage lighting supplier & experienced guys to help you avoid these problem.
Final, choose professional stage lighting, enjoy your colorful stage!
I believe all of those are currently produced by Osram. I am not an expert on the Strand fixtures, but I believe those are all G9.5 axial lamps and are all interchangeable, its just a matter of photometrics and bench focus . The only limit on interchanceability being wattage, 360Q 's for example, are not rated for FEL's or 1kW lamps. People use them, but they'll eventually burn up the fixture . My sources have said these lamps will be available "For the forseable future" and any rumors as to their production ceasing are false. They're not likely to be affected by any DOE actions because they are almost impossible to classify as "general purpose lamps". They're used heavily in other applications, not just stage lighting.I have no plans to change our theater's system off tungsten for the foreseeable future. We have LED fixtures, as they are excellent in some applications, struggle in others. Right now, I would say you're still more likely to end up having to replace an LED fixture because of their (admittedly) seldom failures than ending up being unable to lamp a TH ( tungsten halogen fixture unless it is something very odd.Look at BTH lamps for your fresnels too, they are a relatively recent new design with a slightly higher color temperature than BTN's. I'm evaluating them in our next lamp order. Don't bother with BTL's whatever you do.Look at these guys for PAR lamps, the Absolute Lumens brand. https://www.techni-lux.com/ PAR 's went through a crisis a few years ago when GE/Phillips/Osram stopped branding Chinese import lamps that were failing prematurely. Absolute Lumens is rumored to be a new manufacturer using a different glass. I am also ordering some of them to re-lamp a fleet of PAR 's we just got for free.EDIT: forgot to answer you about bench focusing.Bench focusing is adjusting the lamp holder to center it in the fixture 's reflector . It will give you the best output, focus, and avoid hot spots that burn your gels, gobos, shutters, and reflectors themselves. Some of the OG's here will have to answer about the Strand fixtures. I haven't bench focused a 65Q, but they don't rely on lamp geometry quite so much as an ERS . On Altman 360Q 's, there are a few screws on the lamp holder that allow you to move it in and out of the reflector , or side to side by using the screws as legs on a tripod, if you can picture that.Its name implies being done on a bench, usually with the fixture pointed square at a flat surface so you can see the hot spot and look of the beam. I had great success pointing them at a large projection screen . Taking them down gives you a chance to clean lenses (look up how to do that properly), inspect them for rigging or electrical hazards, and replace any bad parts. You might be surprised at how good they look after some TLC.Here is a before and after on a 6x12.
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