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Ive been testing and using vinyl cleaning products for well, decades. During that time, I have progressed from budget, manual felt pads and brushes to manual cleaning machines, motorised cleaning machines with vacuum pumps of various types and quality and finally, ultra-modern and still-developing ultrasonic technologies.
Its very easy to be dragged into a technology-centric point of view when looking at vinyl cleaning. As if the machinery is all and that your vinyl cleaning stands and falls upon it and only it.
Its very important. That is true. Critical, even. That said, it is not all. If you dont look at the other areas of vinyl cleaning then you will drastically diminish the efficiency of the vinyl clean itself.
That is, even if you have a top-of-the-line, very expensive ultrasonic cleaner, if you ignore the rest of the toolkit that is required to clean your vinyl record, then the final results, the final clean will be reduced in quality. By how much? Thats difficult to say and tough to stick a number upon but, at a guess, Id say by as much as 25%-50%. Depending on the technology you are using.
If you take the machine out of the picture for a moment, if you look at the remaining vinyl tools that I use on a regular basis, the surfactant is next in line in terms of importance.
Surfactant is basically a liquid that you apply to the record, before the cleaning machine and any other liquid you might wish to use comes into play. Its there to aid and enhance the cleaning process. It doesnt clean the record itself but allows your vinyl cleaning machinery and liquid to do a better job. It assists them. I wouldnt dream of cleaning my records without it.
So how does surfactant help your vinyl cleaning hardware in its cleaning task? By reducing surface tension.
When you use your favourite liquid to clean your record no-matter what piece of hardware is involved when your cleaning liquid is in play, it has an issue. It cant get close enough to the vinyl to do its job because of surface tension. Dont forget, were talking about cleaning grooves that exist on the micro-level here. Hence, any surface tension existing in that area will act as a barrier and because grooves are so small, that barrier is pretty large and strong. Thus, the effect prevents the cleaning liquid getting right up close to the vinyl surface, reducing its effectiveness.
Yes, if you clean your vinyl without surfactant being involved, your vinyl will still benefit. You will (or should) hear a sonic improvement after you put your vinyl through the cleaning process. But that cleaning effect will be reduced. Like my childhood school reports used to say? It can do better.
So surfactants remove surface tension. In effect, a surfactant makes your cleaning liquid wetter. This is why you will see some commercial surfactants labelled as Wetting Agents. Its another name for the same thing. Youll find numerous Wetting Agents in photography, for example. They perform the same sort of tasks in that area too.
Hence, if you look right up close and personal at your cleaning liquid. If you were able to look at the bits of the liquid that are doing the cleaning job? Well, a surfactant allows those bits to have more and greater contact with the vinyl surface.
As I say, to use a surfactant, you apply it directly to the surface of your vinyl. You initially prepare the surfactant before use. Normally, you would dilute it in distilled water although some liquids arrived pre-diluted. Surfactants in their original and pure form are normally quite concentrated so you might dilute one part surfactant to 200, for example. That might vary, it depends on the product.
Once mixed properly, you apply drops to the vinyl surface. You spread it around the area of the vinyl with a brush or somesuch then insert it into your manual cleaner, ultrasonic cleaner or whatever cleaning apparatus you have to hand and then clean as normal.
When the cleaning (and subsequent drying) process has been completed, the surfactant should have been removed along with your normal cleaning liquid, leaving a spotless vinyl surface, ready for play. I do like to add a final rinse, though. Giving the vinyl record another cleaning cycle without surfactant being involved. Why? Because I dont know what the long-term effects are of surfactant residue lying on vinyl. That is, in terms of weeks, months and years. So Im being careful and cautious.
I will leave the detailed, step-by-step cleaning instructions of cleaning your vinyl with a surfactant to another feature or features because I intend to create three cleaning features (and videos) in the future. They will focus on cleaning your vinyl via manual methods, a vacuum-based cleaning machine and an ultrasonic cleaner. Each will need different cleaning approaches. The publication of this feature is a necessary precursor to those How To articles because surfactants will be mentioned in all of them.
So then, youre sorted? Just grab the nearest surfactant and youre off and running?
Well, no.
Thats a bit like saying, grab the nearest turntable and youre off and running or the nearest DAC or speakers. No. There are good and bad surfactants. There are also variations in amongst the good batch of surfactants. They, like anything in hi-fi, vary. Each performs differently.
For this feature, I looked at five products, most of which need to be diluted in distilled water. Dont use tap water. Thats contaminated with all kinds of chemicals. Use a purified water. Distilled water. I would avoid de-ionised water which so I hear doesnt destroy bacteria in the water. Distilled does that. You can grab distilled water from all over the place including sellers on eBay, Amazon and direct via the Web. Saying that, if you have trouble sourcing a supply of distilled water, check out the link below for a source I use. The source I use is also used by research establishments and industrial companies and Ive never had an issue with them.
As Ive said above, when youre diluting your surfactant, youll be popping in a few drops into litres of water. Thats the sort of ratio you need to expect. So be prepared to grab a spare bottle of suitable size to store your diluted surfactant. Also, depending on the surfactant purchased, dont be surprised to see very small bottles of surfactant indeed. Dont be alarmed either. At the rate of normal vinyl cleaning use, even a tiny bottle of surfactant will last a long time because, as I say, youre using a few drops of surfactant into a litre or two of distilled water and then its going to take quite a while just to run through that first batch.
Easy-to-grab storage containers can be a litre, litre and a half or two-litre water bottle. Using an older spring water bottle, of the type you might purchase from a supermarket, is useful because it means that the bottle itself will be pretty clean and wont be full of left-over chemicals that will need excessive cleaning for use.
If you use an empty spring water bottle make sure it has a screw top then you still need to clean it out but the effort is minimal. Fill the bottle a third of the way with distilled water. Give it a good shake. Empty the bottle. Then repeat twice more and you should be good to go. Dont clean it with tap water because youll leave a chemical residue.
Once the diluted surfactant is in the newly cleaned container, store it in a cool dark place, certainly away from sunlight.
Because I know that Ill be cleaning lots of records for years to come, I like to grab a 25 litre barrel of distilled water. Partly because it will last for a while and partly because buying in bulk saves cash. Then I store that on its side having previously added a barrel-like tap which you can buy separately and screw to the containers outlet. Propped on its side you can then use the newly fitted tap to fill your empty litre container when necessary.
When youve diluted your surfactant and youre standing there with your two litre bottle of diluted liquid, youll need to decant that into a smaller bottle for day-to-day use.
Take the larger litre bottle with you to sit next to your cleaning machine, to act as a convenient refill but use a smaller bottle for the actually cleaning. Otherwise, the larger bottle will be rather unwieldily. I apply my surfactant with a glass eye-drop/pipette. I bought mine as a two-bottle set from Amazon. Again, Ill put a link at the bottom of the feature in case you need that. Applying the surfactant to the vinyl surface using a pipette means I can be more exacting in my surfactant application to disperse the liquid evenly around the disc. It also means that I can avoid wetting the record label.
I can talk a lot more about the application of the surfactant, the dos and donts, what to do and when in the vinyl cleaning features/videos I mentioned above. So, if you have lots of questions popping in your head right about now, hopefully they will all be answered within those forthcoming features. For now, the tools listed above are what you will need, to use the surfactant for vinyl cleaning.
Some surfactants are aimed at users of ultrasonic machines. The latter normally arrives with a bath of liquid that is fed into the machine to then help clean your records. Some manual machines feature a bath system too.
There are surfactants out there that are designed to be added to the bath itself and not applied directly to the surface of a vinyl record. These bath-oriented surfactants tend to be a concoction of ingredients, some of which are best not applied directly to the vinyl surface. For example, the liquid supplied by Degritter and listed below, contains a surfactant but also some alcohols. You should not apply alcohol directly to the vinyl surface, even if it is part of a larger recipe. Hence, Degritter is correct to indicate that its surfactant is to be added to the bath.
Testing bath-applied surfactants means that in fact, Im testing the company surfactant with the company cleaning liquid too because theyre mixed in. Its the best I can do though because the company does not supply its surfactant as a separate entity.
Before you ask, yes I did undertake a series of tests comparing surfactants added to a bath to those surfactants added directly to the vinyl surface. I found the latter won out every time. Surfactants applied directly to the vinyl surface proved to be more efficient and better performing. The bath-filled surfactants did a decent job, they did work. Just not as well as the directly-applied liquids.
Before we dive into the list itself, is it comprehensive? No, absolutely not. There are liquids out there that I know about and cant afford because theyre too pricey to test at the moment. Nonidet NP-40 was one of those. I could buy it in but it was too expensive for my limited funds. During the tests a small bottle could be had for £100. As I was editing this feature I did see a larger bottle available for £64. Hopefully the price will fall further and then Ill buy it in for testing.
There may be other liquids out there that might be awaiting discovery. If I am made aware of them then again, Ill test them whenever I can to update this feature.
To keep the size of this feature to manageable levels, I have restricted my actual list to those surfactants that I have used and tested and have lots or at least some redeeming features. That is, surfactants that I recommend. Im happy to talk about others in comments or messages to me on my site, YouTube channel or other social media outlets I reside within.
To test the following surfactants, I used the best ultrasonic cleaner I could get my hands on. That meant using a Degritter.
Testing one surfactant with another meant a lot of A-B tests and complex cleaning patterns and multiple cycle cleans to reinforce my final conclusions. It took a long time to run through which is one reason why this feature has been delayed and delayed again.
Despite the fact that all of the following liquids are recommended. I still retain favourites within the list. Hence, Im going to do is list the surfactants in reverse order. With No.1 being my most preferred product. Prices are per bottle.
No.5: AUDIO DESK
Price: £14
TO BUY: https://ebay.to/33QmBWB
To be fair to Audio Desk, the company doesnt actually list this liquid as an on-disc surfactant, per se. Not because theres any risk of damage to your vinyl if applied directly but because Audio Desk sees its best use as part of the machines general cleaning process. Hence, you apply it to the bath of an ultrasonic cleaner and the surfactant does its job as part of the larger cleaning process.
Its a combo liquid containing a surfactant but also cleaning ingredients but I wanted to test it anyway. I was curious.
You will need to dilute this 35ml bottle of liquid into around four to four and a half litres of distilled water which means that it will last quite a while if used in an ultrasonic bath.
If you decide to apply it directly to a records surface then one tiny bottle will last for many months. It provides good value, therefore.
I have no idea whats in the liquid, Audio Desk keep it a secret but I hear from sources, close to the company, that no alcohol is included so a direct vinyl application should be fine.
I tested the liquid from the bath, as part of a larger cleaning cycle but also directly applied to the vinyl surface.
The results showed that the liquid worked well, better when applied directly to disc, I have to say. The cleaned disc showed improvements to the control within the midrange, treble offered a better structure and bass offered admirable character. The soundstage, as a whole, was quite coherent in its presentation.
No.4: DEGRITTER
Price: 28
TO BUY: https://ebay.to/2ROxEdn
Degritters surfactant is supposed to be added to the ultrasonic cleaners bath only. Hopefully, from the companys point of view, in a Degritter ultrasonic cleaner bath. I would not recommend applying this one directly to the vinyl surface because it contains alcohol and applying any sort of alcohol to vinyl is a definite no-no. The substance is too aggressive for that.
Hence, this one is straight into the bath, whether that be a manual machine like the Disco Antistatic or an ultrasonic device.
You receive 100ml of liquid in the bottle and you only need to add 1-2ml to a bath of distilled water at any one time so the bottle will last quite a while.
In use? The Degritter liquid is good. Not great but good. I do prefer it to the Audio Desk liquid in terms of its final frequency transparency but it is relatively veiling when compared to the specialist surfactants that well get to in a moment. Hence, its performance is good, you can hear sonic improvements but youll be frustrated a little because youll want more.
NO.3: ILFORD ILFOTOL
Price: £22
Contact: Various Internet Retailers (Buy Links Below)
This one is known as a wetting agent in photography circles but here it serves as a surfactant. Its the same thing, basically.
I bought a 1 litre bottle from Amazon but you can grab it from eBay and other photography gear sites, possibly for a lower price than the one stated here.
This liquid is highly concentrated so it will go a long way. For vinyl use? Its possibly a lifetime supply actually. Well no, actually that wont be the case because Ilford gives the bottle a shelf life of 36 months.
Thats because the dilution ration is 1:200. So thats one drop of Ilfotol to 200 drops of distilled water.
Actually, Ilfotol itself looks watery. Its not thick of gloopy, is clear and looks nothing special at all.
In use, the Ilfotol was clearly a league ahead of the previous products. That is, the Audio Desk and Degritter liquids were direct competitors but the Ilfotol was a leap ahead of those. By some distance, actually. The latter two products, speaking generally, sounded a little warmer and veiled by comparison.
Ilfotol sounded far more transparent and produced a superior soundstage where the presentation was airy in nature. I noted this effect while listening to a bass guitar in a select rock track and precise percussion strikes in jazz. The latter was crisp without being strident. I also thought that vocals were tighter and more emotive.
Recommended article:For more information, please visit Non Ionic Surfactant Sourcing.
After an Ilfotol clean, subtle effects buried at the rear of the mix could be better picked out by the ear.
The liquid also removed itself effectively from the vinyl surface.
In short, the performance improvements were very large indeed while the value was better too.
TO BUY:
TRITON X-100
Price: £9.95
TO BUY: https://ebay.to/3mJZ8z2
Before I dive into this one, Triton X-100 has been associated with Kodaks Photo Flo wetting agent. Some people have suggested the latter for use as a vinyl surfactant. Im slightly uncomfortable about that. Mostly because I have found conflicting contents lists on the liquid. Some say the Kodak product contains Triton X-100. Some say that its not X-100 but X-114 which has slightly different properties. Others say that it actually features a completely different surfactant. Ive even heard that alcohol is in there somewhere.
My main issue is not so much the ingredients I see listed (although alcohol would be a major problem) its the doubt. The uncertainty. And if I can pick up Tritnn X-100 up as a lab-grade liquid, then all the better.
Sounding like a flying machine from the kids show, Thunderbirds, the Triton X-100 supply I found available for sale was indeed of a lab-grade quality and surprisingly, relatively low in price but part of the reason was because the liquid only amounted to 15ml. Dont be dismayed though, that will last for a long time.
In use, I squirted 20 micro drops (smaller drops than usual, from its built-in bottle dropper) per two litre bottle of distilled water.
Once those drops were resting on the bottles base, I could hardly see them. The concentrate looked more like an accidental smear. Thats how little was used.
Shelf life on this liquid is excellent, many years was one guesstimate I read about on a science/tech website. Of course, that means storage in a low light, cool and dry place.
In sound terms? There is plenty of detail available here, set within an a spacious and wide soundstage. Vocals offered emotion and an admirable texture, bass was organic while the upper mids provide a dynamic reach that had you glued to the music, expectant about what was to follow, what riches of information were about to spill out of the speakers.
The bass too offered plenty of attributes with a weight and heft that provided plenty of power.
Just to add context, the improvement over Ilfotol was not massive. Not the same distance as that between the Audio Desk/Degritter combo and Ilfotol. That said, the improvements triggered by the Triton X-100 were definitely there, definitely noticeable and large enough for me to move on from Ilfotol to Triton X100 in a heartbeat.
***IMPORTANT NOTE***: I was recently alerted (10/3/21) by a kindly contributor in the Comments section that Triton X-100 has now been banned for use in Europe. Hence I now do not NOT recommend Triton X-100 for use in vinyl cleaning. There is talk of a replacement being tagged as a safe alternative. Something called Nereid, which is a cousin of Triton X-100 but without the bad stuff, basically. Ill keep an eye on this contender because its still in the testing stage, so I hear. When I can, Ill give it a test. You can find more information here: https://en.wikipedia.org/wiki/Triton_X-100 Heres a précis of the Triton X-100 issue: A Triton X-100 degradation product has indeed turned out to be ecotoxic as it possesses hormone-like (estrogeno-mimetic) activity that may act on wildlife.[12] The ECHA finally included the substance group in the Authorisation List (Annex XIV),[13] mandating the pharmaceutical and other industries to replace this detergent by the sunset date January 4, , thereby affecting EU manufacturers, importers, and downstream users, as well as non-European manufacturers exporting their products into the EU.
TERGITOL
Price: £27 (approx.)
TO BUY: https://ebay.to/2ZWrQ5W
Although Im reviewing the substance itself, Tergitol and Ill refer to the liquid as that, the brand name of the bottle I purchase from eBay is know as TergiKleen. I had to buy mine from the USA. There are or at least were at the last count two suppliers of this liquid on eBay, although one appears to have a greater supply than the other and the price varies too. Ive stated the cheapest, at the time of writing.
Tergitol is a popular liquid as far as archival institutions are concerned being part of the armoury for a few organisations both in the USA and Canada but its also popular with record collectors and audiophiles.
Its supplied in a concentrated container and a pretty small one at that but, surprisingly, it will make 30 gallons from its 30ml concentrate. That, my friends, is an awful lot of surfactant. Like Ilfotol, it will past its best before date way before you use it all up. Thats around two years, possibly more if its kept in a cool, dry low light, area.
The dilution ratio focuses on 10-20 drops in a 2 litre bottle, I used 20. They are micro drops from the built-in dropper.
When compared to Ilfotol, Tergitol opened up the midrange, extending the dynamic reach of both the midrange and the treble, acoustic guitars were smooth but also incisive. Vocals offered more grain and texture which created emotion, harmonies especially so. Bass percussion was organic with a real impact while the nature of the impact was also full of character.
Not only that, previously shy instruments, buried in the mix, began to emerge into the light.
TO BUY: https://ebay.to/2ZWrQ5W
The Audio Desk and Degritter liquids are good but not great and are best used in the baths of their respective ultrasonic cleaners, as recommended by each company.
If youre already using Ilfotol and youre happy with it, by all means carry on with that liquid. Its a great performer, highly recommended and it will continue to do a great job. When the time comes to buy a new liquid, once the best before date has been reached, consider looking at Triton X-100 or Tergitol.
Speaking of which? Both Triton X-100 and Tergitol are excellent in performance terms and both offer top notch performance. To be honest, I would be happy to use either or both.
Differences? They are there. Very subtle, I have to say but certainly there. If I was to pin each down, I would say that Tergitol provides slightly more air in the midrange, a slightly extended dynamic reach and the opportunity for more upper frequency detail to enter the soundstage.
As for the Triton X-100? If anything, it offers a superior tonal balance with a stronger bass, a better foundation for all instruments across the soundstage and a stronger presentation.
Bottom line? If I was going to whittle the two liquids down to a soundbite? I would say that Tergitol offers slightly superior upper frequencies and Triton X-100 provides slightly superior lower frequencies.
Now Im looking for a surfactant that provides both!
For now, I will stick with Tergitol because I hear a smidgeon more information coming through via the liquid but I will continue to test the Triton X-100 which is, I have to emphasise, excellent in performance terms.
CONTACTS:
Degritter ultrasonic cleaner: degritter.com
Distilled Water: apcpure.com
Pipettes: www.amazon.co.uk
Barrel tap: www.ebay.co.uk
Use the above tap location as a visual reference only. You may prefer a different design and the price may be much cheaper to boot. There should be plenty of choice.
Trying to avoid SLS and other harsh surfactants in your cosmetics? There are many mild, natural surfactants available. Learn about the different types of natural surfactants, with a list of my favorites.
There are many types of surfactants and they are used for many different purposes, but they all share one quality: they help increase the wetting properties of a liquid. Surfactants can be found almost everywhere. You can find them in everything from detergents and shampoos to toothpaste and even conditioners.
(A surfactant,) also called surface-active agent, (is a ) substance such as a detergent that, when added to a liquid, reduces its surface tension, thereby increasing its spreading and wetting properties. (Encyclopaedia Britannica)
Some surfactants are emulsifiers, others are foaming agents (and some may actually do the opposite of those functions). Some act as detergents, while others act as insecticides or fungicides. Some help with solubilizing (small amounts of oils into water, for example) and others help increase viscosity.
Surfactants affect the surface tension of liquids to increase wetting.
Normally, when you spray water on a surface like a window, rather than spread evenly over the surface, the water will bead up. Thats because of the surface tension of the water. The molecules of the water come together in a stable configuration and are attracted to each other. When you are trying to clean that window, though, that beading isnt helping you. You want the water to spread evenly over the surface to better clean it. You also want something that can grab onto the grease and dirt on whatever surface you are trying to clean.
Surfactants affect the surface tension that is making the water bead up rather than spread out. They have a water-loving head and an fat (oil) loving tail. They come together in structures called micelles.
The structure of a type of micelle.I already explained a bit about how the micelles in surfactants work in my micellar water recipe, but for those who havent read that post, let me give you a quick, simplified explanation. The water-loving heads of the micelles bond with the water while the oil-loving tails on the inside of the micelles bond with the grease and grime. That pulls the grease and grime into the center of the micelles out of contact with the water, making them easier to rinse away.
Youll also find that hot water helps clean better because the hot water helps melt the fats which makes it easier for them to be brought into the micelles.
There are four main types of surfactants, each behaving somewhat differently, and some with completely different functions. The detergent-like surfactants tend to be the anionic, non-ionic and amphoteric surfactants. Some cationic surfactants are used as emulsifiers and are great for hair conditioners. (I use BTMS, a cationic surfactant, in my hair conditioner recipe.)
These are classified based on the charge of the polar head of the surfactant which can have a positive charge (cationic), a negative charge (anionic), or no charge (non-inonic). Amphoteric surfactants have both a cationic and anionic part attached to the same molecule.
Natural surfactants can be derived from many types of plants. Common sources are coconut or palm, but they can also be derived from other types of fruits and vegetables.
There are many natural surfactants on the market today, and with increased consumer demand, I imagine that many more will be available in time. I have tried many of them, but today Ill focus on some of my favorites. I like these surfactants because they are gentle, they tend to be easier to find, and they work well together. You can use these in everything from gentle shampoos to shower gels, facial cleanser, and baby washes.
Keep in mind that many of these surfactants are not palm free, so youll want to source them from places that allow for sustainable methods of obtaining their materials. I buy surfactants that have been certified sustainable by RSPO (Roundtable on Sustainable Palm Oil) standards.
Another thing to keep in mind is that these surfactants can differ from manufacturer to manufacturer. The names are polymeric and arent referring to an exact structure. Some places will use different plants as the origin of elaborating each surfactant, and the way each surfactant cleans, solubilizes, etc. can vary depending on where you buy it from. Ill be describing these surfactants based on my suppliers, but youll want to check on the specifications of the surfactant you are buying if its important to you to know what plants have been used to derive them, the pH, the concentration, etc. Use this list as a general guideline!
Along those lines, while mine are listed as ECOCERT approved, that may also be dependent upon the manufacturer of each surfactant.
Ill be updating this list and adding more surfactants as I use them and learn more about them. For now, though, this should give you a good starting point to understanding what we are going to be working with.
Coco Glucoside is a non-ionic surfactant that is obtained from coconut oil and fruit sugars, but it can also be obtained from either potato or corn. It is a very gentle, foamy cleanser and is completely biodegradable. You can use it in products that you want to have an ECOCERT certification. It has an alkaline pH (around 12) which makes it self-preserving as is, but you will probably have to adjust the final pH of products using it to pull it into a range more suitable for your skin or hair (and youll need to add a preservative).
Decyl Glucoside is very similar to coco glucoside (non-ionic and ECOCERT compatible), but it has a shorter chain length. It creates less foam (its foam is less stable) than coco glucoside but it does add more viscosity to a product. It is derived from coconut oil and glucose and is completely biodegradable. It can be used in all sorts of shampoos, gels, baby products, etc.
Lauryl Glucoside is very similar to the other 2 glucosides Ive mentioned. It has a longer chain length and more viscosity. It takes longer to foam than the other two, but it also has the most stable foam. While it is also a mild cleanser, it isnt as mild as the other 2 alkyl polyglucosides.
Comparing the alkyl polyglucosides. I bought the Lauryl Glucosde from a different supplier, so that may also be a factor in the huge difference in appearance. Youll notice the Lauryl Glucoside I bought was relatively solid, and I had to dilute it quite a bit to be able to use it.Disodium Laureth Sulfosuccinate is a gentle anionic surfactant that can be used in natural products (ECOCERT). It is a great alternative to SLS for a milder, more natural shampoo (or body wash, etc.). It has larger molecules than some of the other surfactants (like SLS) making it unable to penetrate and irritate the skin in the same way. It cleans and provides foam in products made for people with sensitive skin.
Notice
It has been pointed out to me that the EWG rating for Disodium Laureth Sulfosuccinate has been raised due to the concern that it may be contaminated with ethylene oxide or 1,4 dioxane during the production of this surfactant. It is still generally allowed in natural formulations because it is a mild surfactant. Use personal judgment on whether you feel comfortable using it or not.
Coco betaine is a coconut based amphoteric surfactant. Its mild and can help boost foam and increase the viscosity of products made with it. Its very mild and provides for gentle cleansing. Its completely biodegradable and has a pH around 6-8. It is also ECOCERT compatible so it can be used in the elaboration of natural and organic type products.
Sodium coco sulfate is an anionic surfactant that is ECOCERT and BDIH friendly. It has a pH of 10-11 and is derived from coconut oil. It is a water-soluble surfactant that is sold in solid form. Its usually used in non-soap shampoo bars and/or bar cleaners (syndet bars).
Plantapon SF is a mix of vegetable-based surfactants (coconut, corn, and palm based) that can be used in a variety of gentle cleansing products like shampoos, shower gels, and facial cleansers. It includes sodium cocoamphoacetate, lauryl glucoside, sodium cocoyl glutamate, sodium lauryl glucose carboxylate, and glycerin. It has a pH between 6.5 and 7.5.
Because this is a mix of surfactants, it can be a good choice for those who are just delving into working with surfactants. You can easily mix up formulations without needing to buy a lot of raw materials or doing a lot of work. (Ill work on getting up some recipes that use this as soon as I can.)
Soap nuts and a soap nut solution.While not as effective as the other more processed surfactants derived from natural sources, those looking for a completely natural alternative may be interested in studying some of these natural surfactants. These plant based cleansers all have natural saponins that are a type of non-ionic surfactant. They can be used alone or combined with the other surfactants for a more effective final product.
The fruits taken from the sapindus trees/shrubs from the lychee family have saponins which are natural non-ionic surfactants. They are usually called either soap nuts or soap berries, and they clean without creating much foam.
You can either throw a cloth bag of them in with your laundry to naturally wash your clothes, or you can steep them in warm water to extract a liquid that can be used for cleaning. Make just enough for what youll need and you can freeze the rest.
Liquid yucca extract is a natural non-ionic surfactant that comes from the yucca plant, a desert plant that has natural saponins of its own. While you can add it to your homemade shampoos, yucca extract is also used in gardening to help get nutrients to the roots of other plants by washing away concentrated salts that build up.
Shikakai powder is another plant with natural saponins which are natural non-ionic surfactants. It is normally used in hair care as a very natural shampoo. It naturally has a low pH which makes it ideal for hair care. Its said to be good for all hair types, especially those that are prone to breakage and damage. Like with the other natural surfactants, you can either combine it with other surfactants or use it on its own. To use it on its own, you make a paste by mixing the powder with warm water and running it through your wet hair once it the paste has cooled. You then leave it to act for 10-15 minutes before rinsing it out. It may slightly darken hair.
Soapwort is another plant that has been used for many years as a soap alternative. It can be used to clean the skin, wash your hair, or even as a laundry soap. Its especially good for delicate fabrics. To use soapwort, you need to make an infusion of the soapwort in water, and then you can use the resulting liquid as a liquid soap alternative.
Contact us to discuss your requirements of Non Ionic Surfactant Fabrication. Our experienced sales team can help you identify the options that best suit your needs.
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